论舒婷20世纪80年代中期以来诗歌创作的焦虑意识  

On the Anxiety in Shu Ting's Poetry Writing since the Mid-1980s

作　　者：王存良[1] 

机构地区：[1]兴义民族师范学院宣传部,贵州兴义562400

出　　处：《甘肃联合大学学报（社会科学版）》2011年第4期49-52,共4页Journal of Gansu Lianhe University:Social Sciences

摘　　要：作为朦胧诗主将的舒婷,20世纪80年代中期以来的诗歌创作中呈现出一种沉重的焦虑感。具体表现为被代表作遮蔽的焦虑、表意的焦虑、以及对文学自身处境的焦虑。其被代表作遮蔽的一个重要原因是时代的文学氛围发生了改变,语言表达困境的生成源于其固有的语言/思维系统在面对光怪陆离的现实生活时的失效,外在的接受环境与内在的表意系统同时使诗人的创作陷入困境,这一困境导致其对文学自身处境的担忧与怀疑。诗人对其固有文学观的坚持在文学溃败的时代成为了一个后英雄时代的寓言。Shu Ting,as a mainstay of the Misty Poetry movement,show a heavy anxiety in her creating since the mid-1980s,which materialized as the anxiety on closed over masterpiece,the anxiety on expression,and the anxiety on literature itself.The anxiety on closed over masterpiece contributes to the change of the literary environment,the anxiety on ideography put down to the failure of the consistent language/thought system which faced the grotesque truth.It is the exterior accepting circumstances and the inner expression system that led the poet to a dilemma of writing,which led her to a anxious on literature itself.The sticking to a consistent literary view becomes an allegory in an literary collapsed time.

关 键 词：焦虑 遮蔽 表意 文学处境 

分 类 号：I206.7[文学—中国文学]