平江不肖生与现代中国武侠小说的内在纠结  

The International Complex of Pingjiangbuxiaosheng with Modern Chinese Martial Arts Novles

作　　者：韩云波[1] 

机构地区：[1]西南大学文学院中国侠文化研究中心,重庆市400715

出　　处：《西南大学学报（社会科学版）》2011年第6期33-39,201-202,共7页Journal of Southwest University(Social Sciences Edition)

基　　金：国家社科基金项目"中国现代武侠文学发生期研究(1900-1949)"(11BZW100);项目负责人:韩云波;重庆市社科规划项目"中国武侠小说发展道路研究"(2009YY05);项目负责人:韩云波

摘　　要：平江不肖生以《江湖奇侠传》和《近代侠义英雄传》所表现的"江湖"和"近代"两大创作路向的并存,渊源于20世纪初由日本小说家押川春浪首创的具有国家-民族意识的现代"武侠"新观念,反映了现代武侠小说在追求趣味与追求品位之间难以兼顾的矛盾纠结,这种矛盾纠结,贯穿了整个中国现代武侠小说的始终,并成为中国现代武侠小说持续发展的内在动力。The coexistence of the two topics of 'Jianghu(brotherhood)' and 'modern times' as shown in the two novels created by Pingjiangbuxiaosheng originated from the modern 'martial arts' concept initiated by the Japanese novelist Shunro Oshikawa in the early 20th century.This coexistence of the two topics reflected the contradictory complex between pleasure creating and taste pursuit in modern martial arts novels.The contradictory complex permeated throughout all the stages of Chinese martial arts novels and triggered its continuous development.

关 键 词：平江不肖生 《江湖奇侠传》 《近代侠义英雄传》 押川春浪 武侠小说 现代性 动力机制 

分 类 号：I207.424[文学—中国文学]