国产灾难电影发展阶段及研究热点  

Domestic Disaster Movie:Development Stages and Research Hot Spots

作　　者：刘卫英[1] 孙茜[2] 

机构地区：[1]大连大学人文学部,辽宁大连116622 [2]大连大学校长办公室,辽宁大连116622

出　　处：《辽东学院学报（社会科学版）》2011年第5期124-129,共6页Journal of Liaodong University：Social Science Edition

基　　金：2009年度辽宁省社科规划基金项目(L09DZW007)

摘　　要：灾难电影一般指将重大的自然与人为灾难作为表现对象的电影。灾难电影作为西方电影界一种重要电影类型,以震撼的视觉冲击力与娱乐效应赢得极高的票房价值与观众群,具有极高的商业与艺术价值。国产灾难电影在我国可分三个发展阶段,近年呈较快发展态势,汶川地震以来已成为创作热点。《唐山大地震》引起了学界对国产灾难片的热切关注,其创作经验及研究状况需要梳理、总结与关注。Disaster movie generally refers to a movie that reflects both man-made and natural disasters.It is one of the most important movie types in western countries.With great visual impact and entertainment effect,disaster movies have won tremendous box office value and audience,thus having very high business and artistic value.Domestic disaster movie in China witness three stages of development,and develops rapidly in recent years,especially after Wenchuan earthquake.The movie of ＂Afterstock＂ aroused attention to disaster movies from domestic academic fields.It is needed to analyze,summarize the creative experience of domestic disaster movies.

关 键 词：国产灾难电影 研究状况 缺失成因 

分 类 号：I106.35[文学—世界文学]