以“快乐家园”为“终点”的“生命回归”——论汉画像石墓门楣画像“车马出行”画面构图意义  

Life Circulation Regarding Happy Homeland as the Terminal——On the Creation Meaning of Going out by Horse-driven Carriage Engraved on the Lintel of Han Engraved Stone Grave

作　　者：李立[1] 

机构地区：[1]深圳大学文学院,广东深圳518060

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2011年第6期15-22,共8页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：国家社会科学基金项目"考古新资料与秦汉文学研究新视野";项目批准号:11BZW028

摘　　要：画像石(砖)墓作为一个完整的建筑形式,"墓门"相当于建筑形式的"大门","车马出行"画面出现在墓门画像之中,其由"行为趋向"而展示的构图意义,必然与"墓门"及"墓葬"所象征的"彼岸世界"的"快乐家园"联系在一起。墓门画像中的"车马出行"画面表达了墓葬主人向着生命"彼岸世界"的"快乐家园"而"回归"的愿望和企盼,同时也昭示着这种"回归"的完成和实现。如果将画像石(砖)墓视为一个完整的"叙述结构"的话,那么,墓门画像则可以看做这个"叙述结构"的"开篇"或"序言",而门楣画像或具有"点题"的作用和意义。As a whole form of architecture, the door of engraved stone grave is same as the gate of the building. Motivated by behavior tendency, the creation meaning of Going out by Horse-driven Carriage engraved on the door of grave is inevitably related with the happy homeland of another world symbolized by grave and its door. The pictue expresses the owner＇ s hope and expectation of returning to the happy homeland of another world and its completion and realization as well. If the engraved stone grave is regarded as a complete narration structure, then the picture on the door will be the beginning or introduction and the picture on the lintel may have the function of bringing out the theme.

关 键 词：门楣画像 车马出行图 叙述结构 点题作用 

分 类 号：K879.4[历史地理—考古学及博物馆学]