浅析灵岩寺宋塑罗汉像的文化底蕴  

The Cultural inside Information of Arhat Statues of Song Dynasty in Lingyan Temple

作　　者：赵颖[1] 

机构地区：[1]保定学院历史系,河北保定071000

出　　处：《历史教学（下半月）》2008年第4期64-68,共5页History Teaching

摘　　要：山东济南灵岩寺宋代彩塑罗汉像素有"海内第一名塑"之称。它具有注重写实、形象逼真、个性鲜明、世俗化强、心理刻画细致入微、神情气质端严内敛等突出的艺术风格,在中国古代雕塑史上熠熠生辉。它映射出的是北宋国力的衰退、文质彬彬的宋型文化、商品经济的发展、市民文化的勃兴、儒学的复兴、佛教的世俗化、禅宗的流行以及形神兼备的绘画美学等深厚的文化底蕴。The arhat statues of Song Dynasty in Lingyan Temple were famous as the First Statue of the World. Lifelike and worldly appearance, introvert and rigorous temperaments, distinct personalities and profound depiction of minds were their artistic style. It had deeply cultural inside information, which contained the urbane cultural character, the prosperous citizen's culture, the Confucianism's revival, the secular Buddhism, and so on.

关 键 词：灵岩寺 罗汉像 艺术风格 文化底蕴 

分 类 号：K879.4[历史地理—考古学及博物馆学]