余怀文艺观与清初诗评  

Yu Huai's Viewpoint on Literature and Art and a Comment on the Poems in the Early Qing Dynasty

作　　者：钟继刚[1] 胡月洁 

机构地区：[1]西昌学院中文系,四川西昌615022 [2]米易一中,四川米易617200

出　　处：《西昌学院学报（社会科学版）》2008年第4期28-32,42,共6页Journal of Xichang University：Social Science Edition

摘　　要：虽然余怀在清初诗坛的地位不及钱谦益、朱彝尊之流,但其创作实不可轻视,其文艺观也与清初诗坛有密不可分的关系。本文拟从主"真情"的本体论、重"自得"的创作论、崇"合体"的风格论、倡"中道"的流别论诸方面讨论余怀的文艺观,并藉此认识明清文艺观的承传性与清初诗论的流弊。Although Yuhuai's position was not equal to Qian Qianyi and Zhu Yizun in the Parnassus of the early Qing Dynasty,his works can't be ignored.There is a close relationship between his viewpoint on literature and art and the Parnassus of the early Qing Dynasty.The paper discusses Yu Huai's viewpoint on literature and art from the doctrine of origin which advocates feelings,the doctrine of creation which values self-congratulation,the doctrine of style which focuses on combination and the doctrine of denomination which promotes middlebrow things to realize the transmission of the viewpoint on literature and art in Ming and Qing Dynasty and the disadvantages of the poem comment of the early Qing Dynasty.

关 键 词：余怀 真情 自得 合体 中道 

分 类 号：I207.22[文学—中国文学]