茅盾批评观念的扬弃——从《小说月报》到《文学》  

The Aufheben of Mao Dun′s Criticism Ideology——from Short Story Monthly to Literature

作　　者：田丰[1] 

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《昆明学院学报》2011年第5期104-109,共6页Journal of Kunming University

摘　　要：从《小说月报》到《文学》时期,茅盾的文学批评观念发生了质的变化,但深究其实却并非像我们通常认为的那样只是简单的取替,而是积极的扬弃。甘苦自知的亲身创作体验使茅盾对批评家和文学家的关系有了新的体认,在时代的感召下,其批评观念逐步从早期的"为人生的艺术观"转变为现实主义文学观,同时他还受到马克思主义文艺观的影响。这些因素的融合最终形成和确立了独具特色的革命现实主义文学观。The qualitative change of Mao Dun′s criticism ideology had undergone from Short Story Monthly to Literature period,but it was not actually like to be replaced simply but the positively aufheben.His personal creation experience made himself reconsider the relationship between critics and writers.Under the influence of the era,Mao Dun′s criticism ideology gradually developed from ＂Art for Art′s Sake＂ to Realism literary view,and at the mean time under the influence of the Marxist literary view,all those facts together result in the formation and establishment of Revolutionary realism literary view.

关 键 词：茅盾 批评观念 现实主义文学观 马克思主义文艺观 

分 类 号：I206.09[文学—中国文学]