建筑在场,艺术显现——橘园美术馆改造案例解析  

The Presence of Museum and the Presentation of Art:An Analysis of the Renovation of MusEe de I' Orangerie

作　　者：王明洁[1] 丘建发[1] 

机构地区：[1]华南理工大学建筑学院,广州510640

出　　处：《新建筑》2011年第5期93-97,共5页New Architecture

基　　金：国家自然科学基金资助项目(50978100)

摘　　要：在介绍橘园美术馆历次改造的基础上,从梳理流线、增强空间序列的整体性;还原自然光线的表现性;继承历史,保留建筑的可读性三个方面对BLP建筑事务所的改造方案进行分析解读,意在探讨美术馆改造中建筑师应有的态度,以及建筑与艺术品之间的关系。In addition to the description of the previous architectural modifications of Orangerie Museum, the reconstruction plan proposed by BLP is analyzed through three aspects：（1） how to comb the streamline to enhance the space integrity;（2） how to restore the expression of the natural light;（3） how to inherit the history to preserve the story of the architecture.It is the attitude of the architect and the relationship between the architecture and the art works that should be seriously considered.

关 键 词：美术馆 改造 自然光 展示空间 

分 类 号：TU242.5[建筑科学—建筑设计及理论]