巴托克空间立体化调性思维探析——以《小宇宙》钢琴曲集为例  

Bartok Thinking Space of Three-Dimensional Adjustment——Take the Small Universe Piano Composition as an Example

作　　者：罗钢芹[1] 

机构地区：[1]广东嘉应学院音乐学院,广东梅州514015

出　　处：《艺术探索》2011年第5期101-103,144,共3页Arts Exploration

摘　　要：《小宇宙》钢琴曲集虽然是一本为儿童钢琴教学而写的练习曲,但其作品中对传统的调性思维模式做了大胆的突破,由原来单一平面化的调性陈述逐步扩展为空间立体化的调性呈示。多样的双调式、双调性处理手法及丰富的音响效果,为音乐的陈述、展开增加了新的因素,从而增强了音乐作品的表现力。The small universe piano composition is a piano exercises for children teaching,but their works on traditional tonal thinking mode made daring breakthrough.It gradually extended from a single plane of tonality statement to three-dimensional space of tonality show.A variety of double mode,bitonality processing technique and rich sound effects were added to music presentation,expansion,thereby enhancing the music expressive force.

关 键 词：巴托克 《小宇宙》 双调式 双调性 

分 类 号：J624.1[艺术—音乐]