论《安妮亚特》与西方史诗经典的互文性  

Intertextuality between "The Anniad" and Western Epic Tradition

作　　者：史丽玲[1,2] 

机构地区：[1]华中师范大学外国语学院 [2]云南师范大学外语学院

出　　处：《当代外国文学》2011年第4期92-99,共8页Contemporary Foreign Literature

基　　金：云南省教育厅一般项目"黑人美学发展对黑人文学经典化的影响"的阶段性成果(项目编号2010Y044)

摘　　要：作为边缘族裔作家,格温朵琳·布鲁克斯在黑人性遭到主流话语压制,在主流文化中悬置的写作困境中,努力拓展种族历史书写的空间。在组诗《安妮亚特》中,诗人一方面借用西方史诗经典,在主流话语中为她书写美国黑人历史赢得合法性,一方面依托布鲁斯策略对西方史诗经典进行转换和改造,形成了美国非裔自我书写的话语模式。在《安妮亚特》中,种族书写与史诗经典从表层对立走向深层对话,传达出诗人倡导种族融合与平等的文化意图。Gwendolyn Brooks has staked out her position as a marginal writer by striving to give voice to the oppressed and silenced black.In ＂The Anniad,＂ Brooks justifies the writing of Black history by placing it in the epic tradition.Meanwhile,she uses the conventions of the blues to compose her epic and explores discursive strategies involved in African-American self-writing.This essay argues that ＂The Anniad＂ voices Brooks＇ hope for ethnic integration and equality through engaging in a dialogue with great epics of Western literature.

关 键 词：格温朵琳·布鲁克斯 种族历史书写 《安妮亚特》 史诗 互文性 

分 类 号：I712[文学—其他各国文学]