中国文化中鹤意象的形成及其特点——从《昭明文选》、《全唐诗》等出发  

The Formation and Characteristic about the Imagery of Crane in Chinese Culture——From Zhaoming Princes Literary Selections and Complete Tang Poems

作　　者：孙浩宇[1,2] 

机构地区：[1]长春师范学院汉语言文学学院,吉林长春130032 [2]吉林大学文学院,吉林长春130012

出　　处：《长春师范大学学报（人文社会科学版）》2011年第6期64-70,共7页Journal of Changchun Teachers Coliege

基　　金：吉林省社会科学基金项目(2009B167);吉林省教育厅"十二五"社会科学基金项目([2011]第175号);长春师范学院校级项目

摘　　要：鹤最早出现在《诗》《易》等经书中;其后便是史书、诸子等所记载的关于鹤的传说故事。至中国第一部文章总集——《昭明文选》,已有较多关于鹤的文字出现,尤其是鲍照的《舞鹤赋》,更是佳什。到了唐诗,对鹤的描写更加具体细致,鹤意象趋向丰富、成熟。The word ＂crane＂ appears in Book of Songs and Yi firstly;then many legends about crane appear in history books and various masters＇ books.There are more words about crane in Zhaoming Princes Literary Selections,particularly in Fu of Dancing Crane of Baozhao.In Tang dynasty,the descriptions about crane become more specific and meticulous,and the imagery of crane becomes rich and mature.

关 键 词：鹤 意象 《昭明文选》 《全唐诗》 

分 类 号：I207[文学—中国文学]