迟子建的“萨满”形象与乌托邦诉求  

Chi Zijian's Portray of "Shaman" and Longing for the Utopia

作　　者：刘钊[1] 

机构地区：[1]长春师范学院汉语言文学学院,吉林长春130032

出　　处：《长春师范大学学报（人文社会科学版）》2011年第6期79-83,共5页Journal of Changchun Teachers Coliege

基　　金：教育部人文社科基金项目(10YJA751047);吉林省教育厅人文社科项目(吉教科文合字2006第94号)

摘　　要：近年来,迟子建的创作由早年的浪漫抒写转向文化探寻。她以20世纪上半叶东北民间社会的女性形象为依托,特别是《额尔古纳河右岸》中"萨满"形象的着力书写,表达了对传统民间社会中女性重要地位的缅怀,彰显了对现代文明中女性主体身份的反思和批判,呈现出女性话语的乌托邦诉求。The writing style of the writer,Chi Zijian,has recently turned from romantic and lyric description of her early years into cultural research.On the basis of the famine image,existing in the northeastern society of the first half of the 20th century,especially her in-depth portray of ＂Shaman＂ in Right Bank of the Eergounahe River,her work has expressed the recollection of women＇s important status in traditional fork society,the contemplation and critic of famine status in modern society,and the longing for the Utopia of feminism.

关 键 词：迟子建 女性形象 传统 现代 乌托邦 

分 类 号：I207.42[文学—中国文学]