试析莫高窟第85窟绘塑内容的表现思想  

A Preliminary Study on the Thoughts Implicit in the Wall Paintings and Statues in Mogao Cave 85

作　　者：陈菊霞[1] 

机构地区：[1]敦煌研究院考古研究所,甘肃敦煌736200

出　　处：《敦煌研究》2011年第5期35-39,共5页Dunhuang Research

基　　金：2009年度甘肃省社科规划项目

摘　　要：莫高窟第85窟是归义军第二任都僧统翟法荣的功德窟,开凿于咸通三年(862)至咸通八年(867)。第85窟营建的9世纪中叶正是禅宗在敦煌僧俗中广泛流行的时期,而翟法荣即是一位兼信南北二宗的禅师,由此,第85窟的绘塑内容打上了翟法荣个人信仰的思想烙印。本文重点讨论了第85窟突出禅学思想、禅净融合和化迹多门的表现思想。Mogao Cave 85 was built during the period from the third to the eighth year of the Xiantong era by Zhai Farong to celebrate his promotion to chief official of the Buddhist administration. In the middle of the ninth century when Cave 85 was under construction,Chan was popular in the Dunhuang area. Zhai Farong was a high-ranking monk who followed both the Southern and Northern Schools of Chan, so the statues and murals of Cave 85 reflect his rehgious ideas. This paper mainly discusses the ideas embodied in Cave 85,which gave prominence to the Chan, the mixture of Chan and Pure Land, and the teachings of different schools.

关 键 词：莫高窟 第85窟 翟法荣 禅学 

分 类 号：K879.2[历史地理—考古学及博物馆学]