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作 者:杨万里[1]
机构地区:[1]上海大学文学院,上海200444
出 处:《上海大学学报(社会科学版)》2011年第6期99-108,共10页Journal of Shanghai University(Social Sciences Edition)
摘 要:从东晋至北宋,台州一直以"仙源佛窟"著称,地域文化主流是佛道二教。台州山水成为文学家笔下常见的题材,神仙人物、灵异古迹、紫烟青藤、寺庙宫观、奇峰异岭,往往是唐宋士人"天台想象"的核心。自北宋中后期起,儒学(主要是胡瑗春秋学)开始在台州传播;南渡后,大批北方士大夫流寓台州,他们在此地兴学校、建乡祠、整理乡邦文献、与当地学者切磋学术,诗歌唱和,将儒学(主要是二程理学)带到台州。由此,台州地域文化由"仙佛之国"向"海滨邹鲁"转变。From the Eastern Jin Dynasty to the Northern Song Dynasty,Taizhou was well-known for its "immortal cradle and Buddha residence".The mainstream of its regional culture was Taoism and Buddhism.Thus Taizhou' s landscape became topics for writers' poetry creation in the Tang and Song dynasties.Very often,they made an "imagination of the heavens",depicting so-called great supermen,mysterious historic-sites,colorful scenes,magnificent temples and queer mountains.In the middle and later periods of the Northern Song Dynasty,Confucianism(mainly Hu Yuan' s Theory of the Spring and Autumn) began to spread in Taizhou.And after "fleeing to the South",a large quantity of the officers from the North tramped the streets in Taizhou,where they opened schools,built ancestral temples,sorted out country literature,and exchanged learning with local scholars,bringing Confucianism(mainly Zhu Xi' s Neo-Confucianism) to Taizhou.As a result,the regional culture in Taizhou changed from the "kingdom of immortals and Buddha" to the "coastal region of cultural prosperity".
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