徽州刻书与徽派版画艺术探议  

A Study of Huizhou Engraved Books and Print Art with Huizhou Style

作　　者：张忠平[1] 

机构地区：[1]黄山学院艺术系,安徽黄山245021

出　　处：《中南林业科技大学学报（社会科学版）》2011年第5期157-158,共2页Journal of Central South University of Forestry & Technology（Social Sciences）

基　　金：2008年度黄山学院科学研究<徽派版画研究>计划项目;项目批准号:2008xsk016

摘　　要：徽州刻书约起于唐末至五代时期,盛于明中叶,明万历至清顺治年间为徽州刻书最为辉煌时期,至清中期渐渐衰微。徽派版画是源于徽州刻书中的插图艺术和墨谱,它由刻书和制墨的兴起、鼎盛、创新,逐渐形成独立的版画体系。徽派版画在我国版画艺术中,是一株引人注目的奇葩,无论其镌刻之精、遗存数量之多、艺术价值之高,皆精于其它派别版画。Huizhou engraved books and publishing started during late Tang Dynasty to the Five Dynasties,flourished in the Ming Dynasty;their greatest glory emerged from Wanli of Ming Dynasty to Shunzhi of the Qing Dynasty;and they gradually declined in the early Qing Dynasty.Huizhou style prints are derived from Huizhou engraved books illustrations art and ink spectra.It gradually took its shape with the rise,peak,and innovation of print and ink-making,communication.Huizhou style prints in Chinese print is the most wonderful print attracting attentions,exceeding other prints in terms of their engraved essence,the number of remains,and the high artistic value of the other factions.

关 键 词：徽州刻书 徽派版画 雕版印刷 艺术特征 

分 类 号：J29[艺术—美术]