重新栖居的美学内涵和诗歌展演——论罗伯特·弗洛斯特诗歌生态美学一维  

The Aesthetic Connotation and Poetic Performance of Redwelling——One Dimension of Ecological Aesthetics in Robert Frost's Poetry

作　　者：李应雪[1] 罗卫华[1] 

机构地区：[1]大连海事大学外国语学院,辽宁大连116026

出　　处：《辽宁大学学报（哲学社会科学版）》2011年第6期35-42,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：中央高校基本科研业务费专项资金资助(2011QN187)

摘　　要：美国现代诗人罗伯特.弗洛斯特以其诗歌作品实现了对"诗意栖居"生态美学内涵的独特讨论,从"家园意识""、位置感""、诗歌创造与艺术想象"等多个维度展现了英格兰人实现"重新栖居"的现实和美学途径。同时",重新栖居"的诗歌展演构建出较为完整的"栖居"理论体系,达成了对当代生态美学的有效阐发和发展。Robert Frost,through his poems,conducted a unique discussion of ＂poetic dwelling＂ with its multi-layered aesthetic connotations,namely,how the New Englanders materialized their ＂re-dwelling＂ both physically and aesthetically.The dimensions such as ＂homeland consciousness＂,＂sense of place＂,＂poetry writing and artistic imagination＂ collectively contribute to the formation of the eco-aesthetic system in Frost＇s poetry.Meanwhile,this sample system was in large measure beneficial to the interpretation and development of the current eco-aesthetic theory.

关 键 词：栖居 生态美学 弗洛斯特 诗歌 重新栖居 

分 类 号：I106.2[文学—世界文学]