女神与女人共舞的母系世界——论波拉·甘·艾伦诗歌中的“母系宇宙”建构策略  

On the Construction Strategy of Cosmogyny in Paula Gunn Allen’s Poetry

作　　者：王卓[1] 

机构地区：[1]济南大学外国语学院

出　　处：《济南大学学报（社会科学版）》2011年第6期32-39,89,共8页Journal of University of Jinan:Social Science Edition

基　　金：国家社科基金青年项目“多元文化视野中的美国少数族裔诗歌研究”(06CWW007)的阶段性成果;国家留学基金项目支持

摘　　要：美国土著女作家波拉·甘·艾伦是一位才华横溢的文学多面手，她的文学创作、评论和教学极大地推动了美国土著文学的经典化进程，对美国土著文学的发展功不可没。然而，遗憾的是，艾伦作为诗人的身份一直没有得到足够的重视。事实上，艾伦一直不倦地书写着优美的诗歌。从1974年至2009年，她先后出版9部诗集。艾伦是土著女权主义的代表人物，而她的诗歌在某种程度上则是对她大胆的土著女权主义理论的全面文本实践。艾伦的土著女权主义的核心理念——“母系宇宙”强化了女神和女人在宇宙中的力量，突出了土著美国人宇宙观中母系的核心价值，是艾伦建构印第安女性独特身份的法宝。American native woman writer Paula Gunn Allen is versatile in literature.Her literary creation,critics and teaching push forward the process of canonization of American Indian Literature greatly.However,it is a pity that Allen as a poet has been neglected by literary critics.As a matter of fact,Allen had been writing wonderful poems throughout her literary career.From 1974 to 2009,Allen all together published nine collections of poetry.Allen is the representative figure of American Indian Feminism,and her poetry in some senses is an overall literary practice of her bold feminist theory.The paper,from the point of cosmogyny which is the key concept of Allen's Native Feminism,examines the rich literary meanings of Allen's poetry in which goddesses and women act as the tribal cultural signs,and then probes the construction strategy of American Indian women's unique identity.

关 键 词：波拉·甘·艾伦 诗歌 母系宇宙 女人 女神 

分 类 号：I106.2[文学—世界文学]