张翎小说《金山》中的印第安元素解读  

On Indian Elements in Golden Mountain Blues by Zhang Ling

作　　者：宋赛南[1] 梁路璐[2] 

机构地区：[1]北京外国语大学外国文学研究所,北京100089 [2]太原科技大学外国语学院,太原030024

出　　处：《河南理工大学学报（社会科学版）》2011年第3期306-310,共5页Journal of Henan Polytechnic University:Social Sciences

摘　　要：《金山》是海外华人作家张翎的巅峰之作,对《金山》的研究当下研究者大多集中于小说的家族叙事、华人苦难、碉楼意象的探讨。本文独辟新径,将研究视野投注于《金山》小说中的印第安元素。笔者通过解读小说中的诸多印第安元素,尤其是印第安女子与白种/黄种男子的爱情,认为小说《金山》潜意识中关照和反思了后殖民文化语境下与外种族男性恋爱生子的印第安女性的生存境遇。面对她们何去何从的困惑,张翎悲唱了一曲印第安传统文化失落、印第安女性被迫流放的挽歌。Gold Mountain Blues is the peak of Zhang Ling＇ s creation. At present, many researchers focus on its family narration, Chinese characters＇ sufferings and images of Diaolou tower. This paper studies it, from a quite different perspective, that is, it centers on Indian elements in Gold Mountain Blues. Based on some Indian elements in this novel, for example, loves between Indian women and white/yellow - race men, the author concludes that Gold Mountain Blues shows readers the living conditions of those Indian women who fall in love with non -Indian men and give birth to their babies. Zhang Ling uses an elegy that reflects collapsed Indian culture and banished Indian women to reveal the confusion of Indian women in post- colonialism context.

关 键 词：《金山》 印第安元素 后殖民文化语境 挽歌 

分 类 号：I106.4[文学—世界文学]