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作 者:黄红春[1,2]
机构地区:[1]南昌大学人文学院中国语言文学系,江西南昌330031 [2]江西师范大学文学院,江西南昌330022
出 处:《南昌大学学报(人文社会科学版)》2011年第6期129-134,共6页Journal of Nanchang University(Humanities and Social Sciences)
摘 要:新中国初期30年文学思潮不仅包括显性层面的为主流意识形态服务、与"左"倾政治路线共名的主潮,而且包括隐性层面的突破单一文化体制、回归文学本体的暗流。显性层面的文学思潮上承20世纪20年代末的革命文学、30年代左翼文学和40年代延安文艺,具体表现为从社会主义现实主义文学到革命现实主义与浪漫主义结合的文学,最后沦为阶级斗争的工具;隐性层面的文学思潮上承现代人文主义与自由主义文学,具体表现为"十七年"中的几次"突围"和"文革"中的"地下写作"。只有回到历史语境才能合理评价这30年文学思潮的"一体两位"。The literary trend in the early 30 years of new China includes not only the dominant level which served for the mainstream ideology, having the common name of "left" political line of the main current, but also the hidden undercurrent which broke the single cultural system, returning to the literary ontology. Dominant literary trend inherited upword the revolutionary literature of the late 1920s, 30' s left -wing literature and 40' s Yan' an literature ,which specifically expressed literature from socialist realism to the combination of revolutionary realism and romanticism and eventually it became a tool of class struggle. Recessive literary trend inherited upword modem humanism and free literature, which specifically expressed the several "breakthroughs" in " Seventeen Years" literature and the "underground writing" in the "cultural revolution". Only back to the historical context can we properly evaluate "binary one" of the literary trend in the early 30 years of new China.
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