唐太宗创制《讌乐》隐颐抉微  

Research on the Hidden Facts behind "Yan Music" Created by Emperor Tang Taizong

作　　者：陈永庆[1] 水田月[2] 

机构地区：[1]中共汉中市委党校,陕西汉中723000 [2]陕西教育学院,陕西西安710061

出　　处：《西北大学学报（哲学社会科学版）》2011年第6期111-114,共4页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省人事厅项目(FL05006)

摘　　要：在唐朝初年"制礼作乐"成果中,太常乐署的《讌乐》乐部尤为引人瞩目,发人深思。其创制过程持续达20年,内容形式与政治地位历经"三级跳"而达于至高无上。从音乐社会学角度切入,寻绎贞观《讌乐》创制背后潜藏的"政治伦理"隐情,是一个新的研究视角。太常乐舞具有"旧瓶装新酒",为新朝歌功颂德、宣扬天命的政治功能;列在贞观"十部乐"之首的《讌乐》,既是唐太宗为自己歌颂功德的"政治手笔",也是冲淡"玄武门之变"恶劣影响、讳饰"喋血夺嫡"声誉之垢的"形象重塑"。Plunging from the perspective of musical sociology,it′s a brand-new research perspective of seeking and interpreting the hidden ＂political ethics＂ behind ＂Yan Music＂ created by Emperor Tang Taizong.Listed in the top of ＂Ten Music＂ in the Golden Years of Tang Dynasty,＂Yan Music＂ is both a ＂political method＂ which served for Emperor Taizong Tang′s singing the praises of himself,but also a ＂image of the remodeling＂ for covering up the bad influence of ＂Xuanwumen change＂.

关 键 词：《讌乐》 政治伦理 讳饰 

分 类 号：K242[历史地理—历史学]