明刊本《香山记》的剧本形态及演出特征  

Morphology and performance characteristics of Xiangshanji published in Ming dynasty

作　　者：周秋良[1] 

机构地区：[1]中南大学文学院,湖南长沙410083

出　　处：《中南大学学报（社会科学版）》2011年第6期181-185,共5页Journal of Central South University：Social Sciences

基　　金：国家社科基金项目"观音故事与观音信仰研究"(08CZW015);教育部人文社科基金项目"观音戏与观音信仰研究"(07JC751008)

摘　　要：明刊本《香山记》是古代敷演妙善传说的一个重要剧本。原本已不存,现存明刊本是明代万历年间富春堂根据当时流行的剧本形式刊刻而成。从整体来说,富春堂刻本是一个舞台演出本,刊印者只是把舞台演出本改为当时流行剧本样式,而没有改变其内容。其演出具有很强的祭祀仪式功能,是一个典型的仪式剧。《香山记》剧本反映了妙善故事传播中一个无文字记录的民间系统特点。Ming block-published book of the Xiangshanji is an important ancient legend of Miaoshan,which,however did not exist,Fu Chuntang block-published book in Wanli period of Ming dynasty was based on the existing script forms of popular movements formed at that time.As a whole,Fu Chuntang-Shchedrin is a stage,published just this to the then popular theatrical play style,without changing its content.The performances have strong ritual function,and it is a text that changed from religious ceremonies to theatre,that is,it was a ritual drama.The Xiangshanji reflects the characteristics of legends of Miaoshan in which a civil system features with no written records can be found.

关 键 词：《香山记》 妙善故事 剧本形态 演出特征 

分 类 号：I206.6[文学—中国文学]