女性欲望与主体构建——后现代女性主义视角下的《爵士乐》  

Female Desires and Subject Construction——A Postmodern Feminist Analysis of Jazz

作　　者：刘晓露[1] 

机构地区：[1]长沙学院外语系,长沙410003

出　　处：《上海理工大学学报（社会科学版）》2011年第4期292-296,共5页Journal of University of Shanghai for Science and Technology：Social Sciences Edition

基　　金：湖南省教育厅科研基金资助项目(11C0108)

摘　　要：在莫里森的小说《爵士乐》中,黑人女性发出了主体构建的欲望之声。小说展示了以维奥莱特为代表的黑人女性如何对抗男权话语压制,获得自我身份认同的过程。这一过程充分契合了后现代女性主义关于主体身份构建的观点:由女性欲望中的暴力因素驱动,在主体间性的基础上实现。莫里森关于黑人女性的身份书写冲破了白人和黑人男性为其界定的范式,具有浓重的后现代主义特色。In Morrison＇s novel Jazz, the black women express their desire for subject construction. The novel shows how the black women represented by Violet resist the suppression of the patriarchal discourse, and finally realize their female identity. This process is compatible with the postmodern feminist conception of identity： it＇s driven by the violent element in female desires and realized through intersubjectivity. Morrison＇s writing of black women＇s identity breaks through the identity paradigm designed by the white race and black men, which has strong postmodern characteristics.

关 键 词：莫里森 爵士乐 女性欲望 身份构建 主体间性 

分 类 号：I106.4[文学—世界文学]