钟云舫散文的用典方式研究  

On the Methods of Using Allusion of Zhong Yunfang's Prose

作　　者：贾雯鹤[1] 张琴[1] 

机构地区：[1]重庆大学文学院,重庆400030

出　　处：《重庆师范大学学报（哲学社会科学版）》2011年第6期62-67,共6页Journal of Chongqing Normal University Edition of Social Siences

基　　金："中央高校基本科研业务费"(CDJSK11008);2011年度国家社科基金(11XYY013);2010年度重庆市社科规划项目(2010YBRW68)的资助

摘　　要：清末作家钟云舫散文中的用典以量大且密、姿态横生的特点给人留下了深刻的印象,不胜枚举的用典方式是钟云舫散文的一大亮点。然而目前关于钟云舫的研究尚未形成全面系统的体系,对其散文的用典研究至今仍无人尝试。本文试图对其散文中的用典方式进行专门的、系统的研究,从典故的引用标志是否明显和典故原义与新文本的意义的关系两个角度,归纳出九种用典方式,然后运用实例加以分析,并总结钟云舫运用典故的特点和创新处。Zhong Yunfang is a scholar living during the waning days of the Qing Dynasty. The use of allusion in Zhong yunfang＇ s prose impressed the and various methods of using allusion. Several Yunfang readers deeply, since there are a large number of allusions of methods of using allusion are a bright spot in Zhong ＇ s prose. But at present, the study about Zhong Yunfang＇ s works has not formed across - the - aboard and systematic system, and no one has tried to start the study about the use of allusion in his prose. This thesis attempts to research his methods of using allusion systematically. This thesis generalizes nine methods from two standards： whether the mark of quotative mark is evident or not and the relationship of the allusions＇ meaning and the new article＇ s meaning. Then I analyze each method with examples and summarize the features and novel - innovative points of the methods of using allusion.

关 键 词：钟云舫 散文 用典方式 

分 类 号：I26[文学—中国文学]