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作 者:李艳菁[1]
出 处:《福建警察学院学报》2011年第6期101-104,共4页Journal of Fujian Police College
摘 要:在中国女性词史上,徐灿可与李清照相媲美,也是开拓词风的关键人物。她以悲壮的豪情、深隐幽微的意境以及俊爽的风格从事创作,故其词作———《拙政园诗馀》,兼具豪放与婉约的风格,突破传统闺秀词作纤细委婉的词风,含蓄蕴藉、意味深长。她在其词作中抒发的家国之思———怀乡之愁、亡国之音,均呈现出独特的风格,焕发出夺目的光彩。In the history of Chinese woman poetry,as an important pioneer of poetry style,Xu Can is placed on the same level as Li Qing Zhao.She wrote the poems with sadness but stirring passion and implicit artistic conception in a smart and expansive style.Therefore,her poetry-Zhuo Zheng Yuan Shi Yu,being implicit and meaningful,has the style that is both bold and graceful,and breaks through the traditional delicate style of woman poetry.In the poetry,she expressed the feeling of homesickness–sadness of losing her home and country,showing a unique style and uncommon luster.
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