把握度的平衡,实现整体歌唱  

Balancing Degrees to Achieve Integral Singing

作　　者：黄晓涛[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350108

出　　处：《龙岩学院学报》2011年第6期94-96,共3页Journal of Longyan University

基　　金：福建省教育厅B类项目"论当代民族声乐的多元化教学"(编号:JB11052S)阶段性成果

摘　　要：整体歌唱是演唱者充分调动歌唱发声的各有关部位,让心理活动与生理运动默契配合,把人的语言所表达的丰富感情融化到歌声里的行为活动。这不仅是各器官间的物理协调过程,更是理性与感性结合的过程。这就需要演唱者在歌唱过程中通过对个体内部各器官的协调,作品风格与演唱状态的协调和个体特征与演唱状态的协调,三方面的把握实现度的平衡,以达到整体歌唱的效果。抛开"度的把握"谈技巧是空谈,抛开作品和个体谈技巧更是无的放矢,是没有实践意义的指导思想。Integral singing is not only the corporation of each vocal organ, but also is the connection be- tween singing principle and works. Furthermore, the difference of individual is another important element that should not be ignored. The coordination of every aspect should be achieved by mastering the balance of degree in integral singing between the singings. There is no isolated singing element. If we ignore the balance of degree, skills are meaningless. If we neglect works and individual, skills will be of no practical significance.

关 键 词：歌唱 平衡 协调 

分 类 号：J616.2[艺术—音乐]