萨满神话对现当代东北小说情节模式的影响  

Influence on Profiles of Contemporary Chinese Northeastern Novels from Shaman Myths

作　　者：李枫[1] 

机构地区：[1]大庆师范学院文学院,黑龙江大庆163712

出　　处：《满语研究》2011年第2期131-136,共6页Manchu Studies

基　　金：国家社会科学基金项目(项目编号:10Bzw080)

摘　　要：萨满神话对现当代东北小说的情节模式产生了深刻的影响。从小说情节的三个要素考察,在场景描写方面,现当代东北小说普遍存在地域特色鲜明的自然描写,这源于萨满神话的自然场景描写。在人物设置方面,现当代东北小说普遍角色少,行动元少,这和萨满神话"元典"的人物设置特点直接相关。在事件的构建方面,现当代东北小说普遍存在的死亡事件源于萨满神话的"磨难"事件,而其中的动植物核心意象不仅受萨满神话相关意象的影响,而且包含了萨满神话中动植物崇拜和图腾崇拜的文化理念。这三个特征充分体现了萨满文化对现当代东北作家心理机制的影响,同时证明了萨满神话不只是现当代东北小说的武库,而且是它的土壤。Shaman myths had great impact on Profiles of contemporary Chinese Northeastern novels. The novels present bright regional characteristic which origin from descriptions of natural scene from Shaman myths. On the installment of characters, there are less common roles or action unit in the novels which directly related to features of roles＇ installment from Shaman ＇ s primitive standard. On the construction of incident, movement of death generally origin from tribulations in Shaman myths, of which core image of animals and plants are not only influenced by Shaman myths, but also include cultural concept of worship on animals, plants and totem in Shaman myths. There three features reflect Shaman myths^influence on Chinese novelists＇ physiological mechanism, and prove that Shaman myths are not armory of contemporary novels but also their root as well.

关 键 词：萨满神话 现当代东北小说 情节模式 

分 类 号：I12[文学—世界文学]