冯延巳词中的色彩美学文化  

On Color Aesthetics in Feng Yansi’s Ci

作　　者：顾伟列[1] 吴昊[1] 

机构地区：[1]华东师范大学对外汉语学院,上海200062

出　　处：《大连大学学报》2011年第6期6-10,共5页Journal of Dalian University

摘　　要：冯延巳词深美闳约,秉承花间风格,但又不失清雅蕴藉,王国维以"和泪试严妆"一言以蔽之。冯词众多的先行研究,多关注冯延巳的艺术风格,忽略了冯词中屡屡出现的色彩词及色彩意象。本研究借用西方色彩基本原理,探究冯词的择色标准、用色特征、色彩意象的设置和功能、色彩体系的建立等方面,并以五代、南唐花鸟画的变革趋势作为辅证,以期多维、科学地审视冯词,重新认识冯延巳高超的美学价值和对中国文艺的贡献。Feng Yansi’s ci has enjoyed a reputation of ＂profound and connotation ＂.His masterwork carries on the artistic style in the Tang Dynasty and Five Dynasties,maintaining the elegance at the same time.Wang Guowei summarizes Feng’s ci briefly——splendid attire with tears.Most previous study of Feng’s Ci focused on Feng’s artistic style,neglecting color words and images repeatedly used.The author of this paper use western color aesthetic principles to explore Feng’s criteria of choosing colors,features of applying colors,setting and function of the color images and establishment of the color system.Aided by the transforming tendency of the flower-and-bird painting in the Tang Dynasty and Five Dynasties,the author makes a multi-dimensional and scientific study of Feng’s ci to recognize the aesthetic value in his works and his contribution to Chinese literature and art.

关 键 词：色彩美学 色彩意象 对比调和 花鸟画 

分 类 号：I207.23[文学—中国文学]