艾伦·卡尔松论建筑美学的生态学方法  

On Allen Carlson's Ecological Approach to Aesthetics of Architecture

作　　者：薛富兴[1] 

机构地区：[1]南开大学哲学院

出　　处：《南开学报（哲学社会科学版）》2012年第1期123-131,共9页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会基金规划一般项目(10BZX077)

摘　　要：艾伦·卡尔松彻底反思了传统的建筑观念,即将建筑视为艺术作品的观念,提出了新的建筑审美欣赏方法——"建筑美学的生态学方法"。这一方法批判了传统的将建筑理解为单个、精致设计、具有显著形式美特征的建筑审美观念,提倡将所有人造的、成功地服务于人类生活价值的建筑与非建筑物均列为建筑审美欣赏的合法对象,并且将建筑要素、建筑物之间、建筑与环境,以及建筑与人类文化间的功能适应关系确定为建筑审美欣赏的核心内容。这一方法为建筑美学带来一场全方位的革命,并为建筑美学向人类环境美学与日常生活美学的转化铺平道路。当然,其中的一些基本观念亦值得商榷。Allen Carlson reflects thoroughly the traditional concepts of architecture which regards architectures as works ot art and he put forward a new aesthetic appreciation method of building as ＂the ecological approach of architectural aesthetics＂. Carlson criticizes the traditional idea about architecture by regarding architecture as an individual, well - designed one with remarkable formal quality. He advocates that all the man - made buildings and structures which serve people＇ s life successfully can be valid candidates for aesthetic appreciation. He thinks the relationships of functional fit which exists within elements of buildings, building and building, building and its environment as well as building and human culture as the core of aesthetic appreciation of architecture. This approach invites a comprehensive revolution for aesthetics of architecture while it lays a new way for transformation towards aesthetics of human environment and aesthetics of everyday life from aesthetics of architecture. However, some of his arguments remain plausible.

关 键 词：艾伦·卡尔松 建筑美学 建筑美学的生态学方法 

分 类 号：TU-80[艺术—艺术设计]