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作 者:周晓琳[1]
出 处:《内江师范学院学报》2012年第1期20-28,共9页Journal of Neijiang Normal University
基 金:国家社科基金西部项目"中国城市文学史研究"阶段性成果(项目编号07XZW007)
摘 要:清代中前期小说关于长安、北京、南京三大都城的叙事,既体现出集大成的"总结"倾向,同时又打上了鲜明的时代烙印。其中,"长安"作为文化符号出现在古代文学家想像的空间世界里,寄托作家对于汉唐盛世的遥想,具有比较明显的虚位化特征;北京叙事则如一幅工笔写真图,通过对北京市民生活形态与文化品味的琐细描写,如实地表现了作家对于京城的"观看"与"阅读";南京叙事在延续历史传统的同时又弥漫着浓郁的"现代"气息,与普通百姓日常生活的联系度超越了以前任何一个时代的小说。The narratives concerning three capitals, Chang'an, Beijing and Nanjing, in novels of early and middle Qing Dynasty are characterized by summarization and the striking feature of time as well. Among them, Chang' an, as a cultural symbol, appeared in the imaginative world of ancient writers. This reposed their nostalgia in prosperous Han and Tang Dynasties. So the city had obvious fictional feature. The narration concerning Beijing was like a portrait. The description of citizen' s life and culture in detail reflected the writers' view toward and interpretation of the city. The one concerning Nanjing inheri- ted the historical tradition and gave the modern flavor. Its connection with the daily life of ordinary people was much closer than that of any novels before.
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