西方文论关键词 摹仿  

Mimesis

作　　者：于雷[1] 

机构地区：[1]南京理工大学外国语学院英语系,江苏南京210094

出　　处：《外国文学》2012年第1期105-116,共12页Foreign Literature

基　　金：教育部人文社会科学研究青年基金项目(10YJC752049);江苏省高校哲学社会科学研究指导项目(2010SJD740017);南京理工大学自主科研专项计划资助项目(2011YBXM133)

摘　　要："摹仿"是西方文艺理论中最古老的概念之一,自亚里士多德的《诗学》诞生之日起,它经过各个历史时期创作者的实践摸索与批评家的理论雕琢,至今方兴未艾。本文出于论述的可行性考虑,试图将作为实践的文学摹仿活动置于现代西方摹仿理论的建构过程中加以探讨,尤其突出奥尔巴赫的"摹仿论"和托多罗夫的摹仿"偏离说"这两个关节点,对它们进行综述和分析,并藉此回溯摹仿策略的自然主义传统及其在现代语境下的形式主义转向。同时,本文还将聚焦于"后摹仿时代"的"摹仿论",简要例释当下西方学界所关注的三组相关命题:摹仿与虚构、摹仿与认知以及摹仿与可能世界,指出这些研究并不是"摹仿论"的终结者,而是在辩证否定的基础上对其理论视阈加以拓展,以更好地阐释现代西方文学的摹仿肌理和规律。Mimesis,one of the most age-old concepts in Western literature and art,since the advent of Aristotle's Poesis,has undergone various artistic exploration and critical reception during each historical period,and still retains its momentum.This paper,for the sake of analytic feasibility,intends to embed literary mimetic practice in the modern constructive process of Western mimetic theories,not least the two junctures of Auerbach's Mimesis and Todorov's theory of 'deviations from imitation,' the review and analysis of which helps look back on the naturalistic tradition of mimesis and forward to its formalistic turn in the modern period.On the other hand,this paper also focuses on the mimetic theories in the post-mimetic era by briefly illustrating the contemporary trio propositions: mimesis and fictionality,mimesis and cognition,mimesis and possible worlds,and points out that these studies are not a terminator of mimesis but an extension of its theoretical horizon on the basis of dialectic negation so as to better expound the mimetic texture and pattern of the modern Occidental literature.

关 键 词：摹仿 奥尔巴赫 摹仿论 托多罗夫 偏离说 后摹仿时代 

分 类 号：G0[文化科学]