融汇艺术角度的唐代女装多元化探讨  

Discussion on diversity of fashion in Tang Dynasty from perspective of blending art

作　　者：左双喜[1] 郑怀湘[1] 

机构地区：[1]湖南工程学院纺织服装学院,湖南湘潭411104

出　　处：《纺织学报》2012年第1期116-120,共5页Journal of Textile Research

基　　金：湖南工程学院校级青年科研项目(xj0928)

摘　　要：在融汇魏晋服饰元素及风格基础上,唐代服饰风格千姿百态、多彩多姿,服饰文化表现为华丽、开放,唐代服饰的开放得益于胡、汉文化乃至异域文化之间的交流融合。为此,从融汇艺术的角度全新诠释唐代服装特点及成因,针对外来文化和内衣外穿的形式分析其款式特点;对唐代融汇胡服特色和多种文化元素的女装进行剖析。认为唐代服装的融汇艺术形式新颖,符合唐代服饰需要,其服装中融汇艺术所形成的新质服装形式和风格,拓展了服装融汇艺术的设计域面,对现代服装的设计产生了深远的影响。The fashion in Tang Dynasty, having blended with fashion elements and style in Wet and Jin Dynasty, is diverse and colorful, and it is characterized by magnificence and openness which has reaped benefits from cultural intercourse and blending between Han and Hu and other nationalities. This article explains the characteristic and origin of fashion in Tang Dynasty from the perspective of blending art, discusses the different culture elements of lady＇s fashion with respect to foreign culture and external wearing underwear. The form of blending art of Tang Dynasty fashion is novel, meeting the needs of that time, and the fashion types and styles formed from the blending art has opened up the fashion design concept and produced a profound impact on the contemporary fashion design.

关 键 词：服装 艺术 唐代服装 多元化 

分 类 号：TS941.7[轻工技术与工程—服装设计与工程]