论唐宋婉约词主体意识的嬗变  

The Change of the Subject Consciousness in Tang-Song Verses

作　　者：蒋晓城[1] 

机构地区：[1]湖南理工学院中文学院,湖南岳阳414006

出　　处：《哈尔滨学院学报》2011年第12期61-66,共6页Journal of Harbin University

基　　金：湖南省高校创新平台开放基金项目;项目编号:09K094;湖南省社科基金项目;项目编号:2010YBA12

摘　　要：在唐宋婉约词中,词人的主体意识经历了一个由缺席到潜入、到确立、再到深化的渐进过程。花间词所抒发的情思与词人自身的情感体验并无多少直接的联系,词人的主体意识缺席。南唐及北宋前期词暗暗融入词人的现实人生感受,词人的主体意识潜入其中。柳永的词由代女性言情转向抒写己情,由巧扮声口转向自我流露,词人的主体意识得以确立。北宋中后期到南宋后期的作品,不仅寄寓着词人在社会生活和政治生活中的种种感受,而且还流露出超越个体的时代情绪,显示出词人主体意识的强化。The subject consciousness of the poets,as seen in Tang-Song verses, was ehanging gradually from beginning,establishing, and advancing. The passion in romantic verses has little connection with poets＇ own emotional experience, in another way, there is lack of subject absence. However, the verses started showing poets＇ feelings in the early South Tang and North Song period. Liu Yong＇ s verses expressed his own feelings more than the heroines＇ voice like the case in his former verses. In the latter works, the verses reflected not only the poets＇ feelings in social life and political life but also the time feature with intensive subject consciousness.

关 键 词：唐宋婉约词 主体意识 嬗变 

分 类 号：I222.8[文学—中国文学]