论明代“四大奇书”的叙事视角  

Narrative Perspectives of "Four Great Masterpieces " in Ming Dynasty

作　　者：林沙欧[1,2] 

机构地区：[1]杭州万向职业技术学院通识教育系,浙江杭州310023 [2]浙江大学人文学院,浙江杭州310028

出　　处：《中国矿业大学学报（社会科学版）》2011年第4期130-133,共4页Journal of China University of Mining & Technology(Social Sciences)

基　　金：教育部人文社科青年基金项目(项目编号:09YJ751083)

摘　　要："四大奇书"虽然沿袭了源自民间口头叙事形态"说书体",但在叙事视角的具体运用上,却表现出向中国古代历史叙事复归的特点。这种情况的产生与明代特定"社会—历史"语境下的小说观念有关。The ＂Four Great Masterpieces ＂ have followed the form of storytelling which takes the narrative forms of folklore, but they show the characteristics of the ancient Chinese historical narration in their actual narrative perspectives. This is related with the novel concepts in the specific social and historical coutexts of Ming Dynasty.

关 键 词：“四大奇书” 叙事视角 小说观 

分 类 号：I207.41[文学—中国文学]