对女真词人完颜璹的文化考察  

Cultural Observation of Wanyanshu's Ci

作　　者：孔远征[1] 

机构地区：[1]内蒙古民族大学文学院,内蒙古通辽028043

出　　处：《集宁师专学报》2011年第2期13-19,24,共8页Journal of Jining Teachers College

摘　　要：金代女真族作家完颜璹的词作,在文化心理上有着明显的汉民族倾向,在创作中也经常化用前人诗词名句及典故,但是他又保留了北方少数民族率真、洒脱的冰霜之"清"。透过樗轩词的创作,对女真族的汉化程度可略见一斑,更为重要的是,作为多民族文化碰撞、融合语境下哺育并成长的女真词人完颜璹的创作已改变了北宋词的走向,其亦迥异于同时期的南宋词,金词这种异质的风采值得我们深思,所以,民族文化的多元融合实乃金词发展的原发动力。Jurhen people Wanyanshu＇s Ci showed apparent fond of the tradition otHan nationality in cultural mentality. There were lots of sayings and literary quotations in his works, but he remained some special characters of minority in north of China, such as straight and free fresh style. By analyzing the Ci of Wanyanshu, we can see how deeply Jurchen people were assimilated by Hart nationality. Moreover, Jurchen people grew up in the background of cultural collision, so Wanyanshu＇s works changed the trend of Northern Song Ci＇s development, and they also had great differences with the Southern Song Ci. This particular phenomenon is wealthy of contemplating for us. At last, we can conclud that multi-cultural collision is the original impetus for the development ofJin Ci.

关 键 词：樗轩词:文化融合:词风嬗变 

分 类 号：I29[文学—中国文学]