“文革”时期“样板戏”的传播动力  

Transmitting Impetus of "Model Peking Opera" in "Cultural Revolution" Period

作　　者：佟迅[1] 王廷信[1] 

机构地区：[1]东南大学艺术学院,江苏南京210018

出　　处：《艺术百家》2012年第1期149-157,125,共10页Hundred Schools In Arts

基　　金：2007年度国家社科基金艺术学项目"20世纪戏曲传播方式"(项目编号:07BB15)阶段性成果之一

摘　　要："样板戏"在"文革"期间风行全国,形成了中外艺术传播史上空前绝后的传播奇观。这一现象的发生,与其背后强大的政治推助力密切相关。理论力量的大力扶持、组织力量的大力推进、舆论力量的大力渲染、媒介力量的大力配合,共同构成了"样板戏"快速传播的强劲动力。Model Peking opera was popular through Cultural Revolution period, which formed a marvelous and unique transmission spectacle in the history of Chinese and foreign art transmission. The phenomenon closely related to a formidable political impetus. The official used all means that could be used, and assemble all power that could be assembled to publicize the model Peking opera. Scholars strongly supported and government and organization and the media energetically advocated the model Peking opera. In such way, model Peking opera soon changed people＇s life and consciousness, and subtly conveying the ideology.

关 键 词：戏曲艺术 “样板戏” 传播动力 理论 组织 舆论 媒介 文化 

分 类 号：J805[艺术—戏剧戏曲]