郭雪波小说中的魔幻与现实  

The Magic and Reality in Guo Xuebo's novel

作　　者：丁琪[1] 包薇[1] 

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010021

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2011年第6期114-118,共5页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：内蒙古哲学社会科学规划项目(10C053);内蒙古地区社会;历史;文化研究基地项目(nsjy0913)的阶段性成果;内蒙古大学世界文学与比较文学学术创新团队的资助

摘　　要：郭雪波小说中的魔幻与作者的故土情结和族裔身份密不可分。科尔沁沙地的自然地理、蒙古族原始宗教文化、东蒙地区丰富的巫术鬼神风俗等,为其小说铺垫了魔幻文化底色;个体民族文化在现代化、全球化语境中不断消解带给作者的忧患意识与惶惑感,草原生态恶化的现实,是魔幻叙事的指向,作者的拯救意识中暗含着欲望批判、找回民族神性信仰的努力;魔幻是民族文化与现代文学的共生,它汲取现代中国文学中的隐性巫文化表达传统,同时这种魔幻风格对中国主流现实主义文学创作有一种反哺作用。The magic in Guo Xuebo＇s novel is closely with the author＇s local Complex and the ethnic identity,Kerqin sandy physical geography,the original Mongolian religious culture,eastern Inner Mongolia region＇s rich customs and other magic spirits,pave the way for a fantasy cultural background;The author＇s sense of apprehension,which comes from the individual national culture in the context of modern and globalization continuing to disappear,and the reality of grassland deterioration,all these are magical narrative point.The saving consciousness of the author desire implicits the criticism of the desire and efforts of looking back belief in divine.magic is the symbiosis of national culture and modern literature,it draws on expression tradition of magic culture in the modern chinese literature,at the same time this style of magic have a nurturing role to chinese literary realism in the mainstream.

关 键 词：魔幻 现实 族裔文化 生态 

分 类 号：I206.7[文学—中国文学]