西方近代绘画初传中日状况与影响之比较  

Comparison of the Early-Stage Spreading of Western Pre-Modern Style Painting and Its Influence in China and Japan

作　　者：徐振杰[1] 窦志强[2] 王志强[1] 

机构地区：[1]山东建筑大学艺术学院,山东济南250101 [2]山东大学历史文化学院,山东济南250100

出　　处：《艺术探索》2011年第6期37-42,142,共6页Arts Exploration

基　　金：2010年度国家社会科学基金艺术学项目"西方近代美术初传中国对本土美术的影响"(10CF095)

摘　　要：16世纪中叶到19世纪中叶,西方近代美术初传于中日两国。日本美术展示了其传统中宗教精神和现实性格之间的张力,能较为系统、客观地认识西方近代绘画,并体现出折中东西方追求本土风格的主动性。中国本土文化主要以文人文化主导的美学态度应对西方近代绘画的传入,显示了在新的形势下寻求古典美学原则统一性的努力和面临的深层矛盾。Western pre-modern paintings had spread to China and Japan in the years between the middle of 16th century to the middle of 19th century.Japanese paintings presented the tension between religious spirit and realistic attitude,which showed that Japanese have recognized western paintings of pre-modern period systematically and objectively,and flexibility in combining the western painting stylistic factors with eastern painting.Chinese artists seek to maintain the integrity and consistency of classical aesthetic principles in new situation on the basis of the aesthetic attitude of literati culture.

关 键 词：西方近代绘画 初传 中国绘画 日本绘画 

分 类 号：J209.1[艺术—美术]