俄罗斯后现代主义文学中的圣愚现象及其文化意蕴  

"The Holy Fool" and Its Cultural Implications in Russian Postmodern Literature

作　　者：李新梅[1] 

机构地区：[1]复旦大学外文学院

出　　处：《当代外国文学》2012年第1期149-155,共7页Contemporary Foreign Literature

基　　金：作者主持的教育部人文社会科学研究项目<俄罗斯后现代主义文学中的文化思潮>的阶段性成果[项目编号:08JC752005]

摘　　要：圣愚现象是一种特殊的宗教文化现象,它自俄罗斯接受东正教时出现在俄国文化中。20世纪末,随着东正教的复兴,圣愚现象在后现代主义文学中开始兴起,并获得了新的文化意蕴:圣愚的流浪和受难获得了新形式和新内涵;圣愚的神圣性和崇高性减弱、游戏性和荒诞性加强;圣愚形象多元化、多义化;作者对圣愚形象持双重态度。圣愚现象丰富了当代俄罗斯文学的人物体系,拓展了作品的情节内容。但其新文化意蕴也表明,当代俄罗斯的东正教信仰沾染了一定程度的自由主义色彩。Russian acceptance of the holy fool began when Orthodox Christianity became the largest religion in the country. Along with the revival of Orthodox at the end of the 20th century, the holy fool is endowed with new significance in postmodern Russian literature. This essay discusses the changing form and meaning of the roaming and mar- tyred fool, the weakened sanctity but highlighted absurdity of the holy fool, the plural ima- ges of the holy fool and the author＇s twofold attitude towards the holy fool. It argues that the holy fool, emerging as a product of the modern, liberal influences on Russian Ortho- dox, lingers on as an important character in deepens the plot of the literary works. contemporary Russian literature, enriches anddeepens the plot of the literary works.

关 键 词：俄罗斯后现代主义文学 圣愚现象 文化意蕴 

分 类 号：I512.06[文学—其他各国文学]