“子见南子”:历史公案与现代想象  

Confucius Saw Nan-zi:History Facts and Modern Imagination

作　　者：段宗社[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710061

出　　处：《齐鲁学刊》2012年第1期134-138,共5页Qilu Journal

基　　金：国家社会科学基金项目(10BZW028)

摘　　要："子见南子"本来是无关情爱的礼节性拜见,但由于其本身存在着导向情爱想象的意义结构,在王充、朱熹等人的谈论中早已与敏感的男女情事相关。现代以来,林语堂的独幕剧《子见南子》以南子为中心展示了一种个性自由、男女平等的现代精神;胡玫电影把"子见南子"演绎为情爱故事暗合了来自西方文化的"史诗性"特征,对中国文化及民族史诗的重构具有积极意义。应该从宏阔的文化视野出发理解"子见南子"的意义。The story Confucius Saw Nan-zi involved a meeting in respectful way without any sexual passion. But the story related to sexual imagination early in Wang Chong（27 - 96） and Zhu Xi （1130-1200） ＇ s opinion. In modern rewriting, one-act play Confucius Saw Nan-zi by LIN Yu-tang showed off equality of men and women by title-role Nan-zi. However, the film Confucius directed by Hu Mei adapted the story in a post-modernly love imagination. The love imagination about Confucius Saw Nan-zi had advantage to modern Chinese culture.

关 键 词：子见南子 情爱想象 史诗格局 

分 类 号：I206[文学—中国文学]