论市场需求与中西电影美学的嬗变  

On the Market Demand and the Evolution of Chinese and Western Film Aesthetics

作　　者：杨晓林[1] 

机构地区：[1]同济大学电影学院,上海200092

出　　处：《同济大学学报（社会科学版）》2011年第6期81-87,共7页Journal of Tongji University:Social Science Edition

摘　　要：好莱坞类型电影市场成功的重要保证是戏剧电影关学,而在现代主义电影理论影响下的欧洲艺术电影创作中,故事性和戏剧性常常是被弱化或消解了的,这也导致其在市场上遭受冷遇、最终不得不向戏剧美学皈依的现状。好莱坞戏剧电影美学与中国历史悠久的戏剧理论通过市场的整合,产生了中国早期的电影美学——"影戏观"。中国新生代贫困人生电影既蜕变于传统的"影戏观",但是在市场的压力下又有策略性的背离,可名之为"新纪实影戏现"。The important guarantee of the Hollywood type movie which succeeds in the market is drama film aesthetics. Whereas under the film theoretic influence of modernism, European art film creation often weakens or eliminates the narration and dramatization, which leads to its cold reception in the market and eventually makes it have to convert to aesthetic drama. Undergoing the market integration, the Hollywood drama film aesthetics and Chinese long history drama theory produce the early Chinese film aesthetics-＂ movie play concept＂. The poor life films of Chinese new generation which exuviate from Chinese ＂movie play concept＂, the departure under the pressure of the market is strategic, and I may name it as ＂new documentary movie play concept＂.

关 键 词：市场需求 戏剧电影美学 中国新生代电影 新纪实影戏观 

分 类 号：J901[艺术—电影电视艺术]