胶州秧歌“8”字圆的文化探析  

Cultural Analysis of Circle Figure 8 in Jiaozhou Yangko

作　　者：黄斯[1] 

机构地区：[1]星海音乐学院舞蹈系,广州510006

出　　处：《北京舞蹈学院学报》2011年第4期82-84,共3页Journal of Beijing Dance Academy

摘　　要：舞蹈作为所有艺术门类中最古老的艺术,直接来源于人类最早的生活实践,它由最早的实用功利性衍至今日的娱乐、观赏、实用等功能,为我们带来了视觉上乃至心灵上的冲击。在这其中,民族民间舞蹈的起源与发展又决定了它本身不仅具有这种强烈的冲击力,更富含着语言难以表达的文化背景与内涵。胶州秧歌作为汉族民间舞蹈的典型,具有独特的形态、动律特征,其最为公众认可的就是双臂的"8"字绕圆。"8"字绕圆不仅是胶州秧歌在地域文化与舞蹈文化影响下的动律、动态特征,同时也是其舞蹈意象的具体体现。As the oldest of all arts,dance originated directly from the earliest human life and practice,whose functions vary from the earliest utilitarianism to today＇s entertainment,recreation,practicality,etc.,impacting us both visually and spiritually.The origin and development of folk dances has determined their powerful impact and incredible culture and implication.Jiaozhou Yangko,as typical Chinese folk dance,has distinctive postures and features of movement routines,among which circle figure 8 conducted by two arms is well accepted.Circle figure 8 in Jiaozhou Yangko not only is a dynamic feature of movement routine influenced by regional culture and dances,but also the specific representation of dance images.

关 键 词：胶州秧歌 “8”字圆 舞蹈意象 地域文化 动律特征 形态特征 

分 类 号：J722.211[艺术—舞蹈]