关于骚体界定的新思考  

New Thinking on the Definition of Sao Style

作　　者：李慧芳[1] 

机构地区：[1]浙江树人大学人文学院,浙江杭州310015

出　　处：《浙江工业大学学报（社会科学版）》2011年第4期392-396,共5页Journal of Zhejiang University of Technology：Social Sciences

基　　金：浙江树人大学常规年度资助项目(2010A12004)

摘　　要：目前学界对骚体的界定过于偏重体式特征,而从中国文体论的古今差异来看,科学的文体定义应当包含作品体式和风格两个要素;历代骚体作品的评论也主要以风格论为主。因此科学的骚体界定应当兼顾作品风格和体式,"悲怨"精神和"兮""些"等带有楚地风格的语助词共同构成科学的骚体定义。Current academic definition puts too much emphasis on the pose of Sao Style but from the perspective of the differentce between ancient and modern stylistics and comments about Sao Style,the scientific concept of style should contain pose and style, and the comments about Sao Style are also mainly based on the style. Therefore, scientific dfinition of Sao Style should include pose and style, ＂Sadness＂ spirit and such Chu-style expletives as ＂Xi Suo＂ so as to constitute a scientific definition.

关 键 词：体式 风格 “悲怨”精神 “兮”字 楚地风格 

分 类 号：I206.2[文学—中国文学]