南阳汉画馆藏中汉代天禄、辟邪的造型艺术  

Nanyang Exorcize in Han Dynasty Drawing Collection

作　　者：卜友常[1,2] 

机构地区：[1]杭州师范大学美术学院,浙江杭州310012 [2]浙江树人大学,浙江杭州310015

出　　处：《浙江树人大学学报》2011年第2期63-66,共4页Journal of Zhejiang Shuren University

基　　金：河南省政府决策招标课题"南阳汉画文化产业发展战略研究"(B492)

摘　　要：南阳汉画馆藏汉代宗资墓前的天禄、辟邪,在唐代时期李贤、宋代时期欧阳修、沈括等都不同程度的进行关注,而只是进行著录而已,并未对造型艺术进行研究。本文重点通过对其造型艺术的研究,发现天禄、辟邪造型艺术起源于楚国,成熟于东汉,结束于南朝,它是楚国巫风艺术的代表作品,同时也是汉代雕塑史上的里程碑。The collection of Exorcize in Nanyang Han Dynasty tomb had attracted much attention by Li Xian in the Tang Dynasty,Ouyang Xiu and Shenkuo in Song Dynasty.But most of the researchers just record it instead of studing the arts in detail.In this paper,the author focuses on the art form analysis and finds that exorcize arts is originated from State of Chu,matures in the Eastern Han Dynasty and ends in the Southern.It is representative of witchcraft art in State of Chu,and also a milestone in the history of the Han Dynasty sculpture.

关 键 词：天禄 辟邪 艺术渊源 造型特征 

分 类 号：J309.2[艺术—美术]