“性灵”说与诗法论——论袁枚诗学的综合向度  

The View of Natural Disposition and Intelligence and Poetry-writing Principle——On the Comprehensive Dimension of Yuan Mei's Poetics

作　　者：段宗社[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710061

出　　处：《陕西师范大学学报（哲学社会科学版）》2012年第1期101-105,共5页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目(10BZW028)

摘　　要：袁枚是激进主义诗论家,又是深知创作甘苦的诗人。所以他的"性灵"诗学一方面讲究性情、灵机和天分,另一方面还要求博雅,广泛汲取前人艺术经验,对音节、体格等艺术法度也颇有讲究。融会"性灵"说和诗法论使袁枚诗学呈现出复杂性与矛盾性,也使他异于明代公安派而呈现出清代诗学特有的综合性特征。应从"性灵"说与诗法论的矛盾与综合角度对袁枚诗学作全面理解。As a radical poetry theorist and poet thoroughly knowing about hard work in poetry writing,Yuan Mei emphasized in his poetics of ＂natural disposition and intelligence＂ importance of character,intelligence and talent in poetry writing.Moreover,he added requirements for learning and accomplishment and for such poetic craftsmanship as syllables and styles by absorbing artistic experience of poetry-writing forerunners.A fusion of the view of ＂natural disposition and intelligence＂ with the theory of poetry writing made Yuan＇s poetics complicated and self-contradictory,which identified him clearly from the school of Gong＇an in the Ming Dynasty but characteristics of the distinctive comprehensiveness of poetics in the Qing Dynasty.

关 键 词：性灵论 诗法论 袁枚 明代公安派 清代诗学 

分 类 号：I206.2[文学—中国文学]