颠覆与传承——后现代主义语境中的19世纪俄罗斯经典文学  

Subversion and Inheritance——The 19^(th)-Century Classical Russian Literature in the Context of Postmodernism

作　　者：李新梅[1] 

机构地区：[1]复旦大学外文学院

出　　处：《俄罗斯文艺》2012年第1期104-110,共7页Russian Literature & Arts

基　　金：教育部人文社科项目"俄罗斯后现代主义文学中的文化思潮"的阶段性成果(项目编号:08JC752005)

摘　　要：20世纪末,随着苏联的解体和意识形态的多元化,19世纪俄罗斯经典文学的作用和地位遭到了质疑和争论。后现代主义文学作为新时代俄罗斯文坛的一种流行文学思潮,一方面对19世纪经典文学表现出颠覆的欲望和尝试,另一方面又逃离不了经典文学的影响,表现出与经典作家作品对话和合作的姿态。后现代主义文学对19世纪经典文学的双重态度不仅直接决定了它的创作内容、风格和手法,而且引发了新时代人对祖国精神文化遗产的重新审视。At the end of the 20th century,with the disintegration of the Soviet Union and the diversification of social ideology,the role and position of the 19th-century Russian literature was doubted and disputed.As a prevalent literary trend in Russian literary world of the new age,postmodernist literature expresses its desire and attempt to subvert the 19th-century Russian literature on the one hand,and,because of being unlikely to avoid the influence of the classical literature,shows its willingness to have cooperation and dialogue with the classical writers and works on the other hand.The ambivalent attitude of postmodernist literature to the 19th-century Russian literature not only determines its content,style and method for creation,but also arouses in modern people a reexamination of the cultural inheritance of their country.

关 键 词：后现代主义 19世纪俄罗斯经典文学 颠覆 传承 

分 类 号：I512[文学—其他各国文学]