论20世纪50-70年代中国文学女性身体形态脸谱化叙述  

Portraits of Female Body in the Chinese Literature in 1950-1970

作　　者：刘传霞[1] 蒋凯旋[1] 

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《妇女研究论丛》2012年第1期56-61,共6页Journal of Chinese Women＇s Studies

基　　金：教育部人文社会科学研究项目"中国当代文学身体政治研究"(批准号:09YJA751036);山东省社科基金项目"身体叙事与自我认同"(批准号:08CWXJ16)阶段性研究成果之一

摘　　要：1949年中国大陆的女性解放运动,拓展了女性参与社会生产的广度和深度,以"铁姑娘"为代表的女英雄形象的出现,改变了社会对女性能力的评价,打破了女性柔弱无力的僵化性别印象,在一定程度上触动了"男主外,女主内"的传统性别分工模式以及支持这一模式的文化观念系统,为女性争取到了更多地参与到社会公共领域的权力,改变了传统社会评判女性的标准,瓦解了传统社会对女性角色的设定,但是,消匿女性特征的女英雄和凸显女性性别特征的反面女性的脸谱化文学叙述,又将中国社会具有巨大进步意义现代性社会性别建构推向了另一个二元对立、不平等的性别神话之中。The women＇s liberation movement in China's Mainland since 1949 had expanded the depth and width of women＇s participation in social production. As well, the appearance of ＂Iron Girl＂ images as women＇s heroines changed the evaluation of women＇s capability in society and broke the fixed gender based image of women being weak and helpless. At certain level, it challenged the tradition of gender based division of labor as ＂men managing outside while women managing inside the households＂ as well as its cultural values and helped win rights for women to participate in social and public processes. It, moreover, helped change the traditional standards of evaluating women and undermine the traditional female stereotypes. However, the existence of women heroines without female characteristics and female negative characters with distinct female characteristic facial profiles in literary writings again created a dichotomy and inequality in the mythical construction of gender order.

关 键 词：女性形象 性别特征 脸谱化 身体形态 

分 类 号：I206.7[文学—中国文学]