新世纪十年中国散文的西藏书写  

Portraits of Tibet in Chinese Essays:First Decade in the New Century

作　　者：王泉[1] 

机构地区：[1]湖南城市学院文学院,湖南益阳413000

出　　处：《井冈山大学学报（社会科学版）》2012年第1期75-82,共8页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社科基金项目"中国当代文学的西藏书写"(项目编号:09BZW059)

摘　　要：新世纪十年中国散文的西藏书写传达出多民族作家面对西藏的历史、文化、民族和地域所生发出的人生体验与生命的深沉思考。以王宗仁、凌仕江、王族、丁晓敏为代表的军旅作家的散文在追求崇高美中体现出英雄主义情结,祝勇散文在打破传统的体制散文中构建起了神性的空间,马丽华在纷繁的西藏文史故事中探寻着民间的意义,以平措扎西、扎西达娃为代表的藏族作家的散文则在民族文化认同中表现出强烈的家园意识。新世纪中国散文的西藏书写在一定程度上繁荣了当代散文的创作。The portraits of Tibet in Chinese essays in the 2000s reveal the reflections of writers from different nationalities on the living experiences and lives through their scope of Tibetan history,culture,nationality and fields.The army-group essayists,typically Wang Zongren,Ling Shijiang,Wang Zu and Ding Xiaomin,pursue heroism in the loftiness;Zhu Yong constructs a universe of divinity by breaking traditional intra-system essays;Ma Lihua searches the folk significances in the diversity of historical Tibetan literature stories;and the Tibetan-native essayists like Puncog Tashi and Tashi Dawa imply strong awareness of home in their national culture identity.The portraits of Tibet in this era add something to the flourishing of contemporary Chinese essays.

关 键 词：散文 西藏 文化 崇高 家园 

分 类 号：I207.6[文学—中国文学]