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作 者:高文惠[1]
出 处:《德州学院学报》2012年第1期17-21,共5页Journal of Dezhou University
基 金:教育部人文社会科学研究项目(10YJC752009)
摘 要:为了反击欧洲对非洲的定型化描写,阿契贝在创作中,始终坚持内部书写者的叙述位置。在他看来,非洲的故事必须由非洲人自己来讲述,非洲的文化和历史经验必须在自己的意义系统里来呈现。他所处的文化十字路口又赋予他一种独特的观察位置和理性审视视野。在《瓦解》中,阿契贝既作为内部人在描述着"我们的"传统,又作为与伊博传统文化有一定距离的观察者,对非洲传统文化命运的变迁进行着理性的思考。在建构现代非洲文学主体性方面,阿契贝的思考和实践具有启示意义。In order to beat back the stereotype about Africa described by Europe,Achebe keeps persisting in the narrative location of insider in all his writing career.In his opinion,African story must be told by African themselves and African culture,history experience had to be presented in African significance system.The location of cultural crossroads where Achebe is given him a particular observing position and surveying perspective based on reason.In one side,Achebe describes "our" tradition as an insider,on the other side,he thinks about the changes of African traditional culture reasoningly as an observer who has some distance to traditional culture of Igbo.In Things Fall Apart Achebe's thinking and practice have apocalyptic significance in constructing the subjectivity of modern African literature.
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