从抄本到刻本的清整——北宋国子监本《文选》研究之一  

The Selection and Compilation from Transcript to the Carving Copy——A study on Wen Xuan Carved by Directorate of Imperial Academy in the Northern Song Dynasty

作　　者：郭宝军[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《长春师范大学学报（人文社会科学版）》2012年第1期8-11,共4页Journal of Changchun Teachers Coliege

基　　金：教育部人文社会科学研究规划基金项目(11YJA751015)

摘　　要：以《文选集注》本中的李善注与北宋国子监本进行全面的对校,推测《文选》李善注从抄本到刻本清整的一般过程。监本编纂者首先从众多版本中选择一个注释比较规范、比较齐全的本子作为底本,是为清理;在此基础之上,参校李善所引原书,以及其他不同的注本,对底本的字形、讹误、衍文、夺文等诸方面进行更正,比较科段的不同、注释的详略,参校他本作个别订正,增加注释,是为整理。监本李善注对抄本进行了一次全面的清整,从而结束了抄本时代纷繁不一的传播样貌,给出了一个比较全面的李善注的定本,同时亦加剧了抄本的佚亡。Checking the differences between Wen Xuan Ji Zhu and the copy carved by Directorate of Imperial Academy, we can predict the common procedure of the selection and compiling of Wen Xuan from transcript to the carving copy. Firstly, the editors chose a more normative and complete copy from excessive copies, which was known as Selection. Secondly, referring other copies, the editors corrected mistakes and added comments, the process of which was called Compilation. Through the all-round checking, it ended the differences, produced a complete copy, and promoted the die of the transcripts.

关 键 词：《文选集注》 国子监本《文选》 清整 

分 类 号：I206.2[文学—中国文学]