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作 者:罗执廷[1]
机构地区:[1]暨南大学中文系,广州510632
出 处:《江汉大学学报(人文科学版)》2012年第1期12-17,共6页Journal of Wuhan Institute of Education
基 金:教育部人文社科基金项目"文选运作与中国当代文学的发展"(09YJC751033)
摘 要:由于公开刊物和主流诗坛的冷漠,某种意识形态的打压等不利处境,第三代诗人只能自我推销,争取承认。他们从1985年起就开始通过选本运作的方式来呈现、集结、传播自己。在第三代诗人和其诗学代言人的共同努力下,"第三代诗"的选本纷纷涌现,给"第三代诗"的发展以持续的鼓励和支持。这些选本不但建构出了一个庞大的诗歌群体,建构出了"第三代诗"的"崇高"形象,还早早地为其建构出了在文学史上的地位。这对后来兴起的"第三代诗"研究热以及拔高"第三代诗"地位的文学史叙述倾向都不无影响。Because of the unfavourable position,just hke under the indifference of publications and the mainstream poetry world, the presure of political ideology, the 3rd Generation poets could only selfpromote, fight for recognition. They began to arise, gather and propagate themselves through anthology op- eration since 1985. With joint efforts of the 3rd Generation poets and their prolocutors, the various anthologies of the 3rd Generation poems appeared ,which gave continued encouragement and support to the de- velopment of the 3rd Generation poems. The anthologies not only created a large poet group,put up the noble image of the 3rd Generation poem, but also established its position in the literature history ,which af- fected the later heat to research the 3rd Generation poems and the narrative tendency that to overstating the position of the 3rd Generation Poems in the literature history.
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